SCREENPLAYS
Here are 5–6 page samples from some of the screenplays I’ve written. Some are features. Some are shorts. Most (but not all) samples are taken from the beginning, which is generally where stories behave themselves best.
If you’d like to read any in full (and I admire your optimism), message me HERE and observe a grown adult become extremely accommodating.
DEAD MEAT
100 page screenplay. Comedy/Action.
A perfectly ordinary family man smokes something he really shouldn’t have, and the universe takes this as permission to get involved.
THE UNFATHOMABLE FEAR OF THE EAST
120 page screenplay. Dark Comedy/Action.
According to everyone else, the Superhero True Valiant can fly. According to True Valiant, this remains to be seen.
THE PAINTER, THE POET, THE CHEF
100 page screenplay. Comedy/Drama.
Three housemates, each boasting a dubious craft, all fall for the same woman — and none of them have the foggiest idea what they’re doing.
STARFISH + SEAWEED
117 page screenplay. Comedy.
When a coffee shop owner starts to lose his grasp on reality, the line between espresso and existential crisis gets delightfully blurry.
THE SUPER LOTTERY
115 page screenplay. Action/Comedy.
Heroes aren’t born, they’re bought. Grab the super ticket and see if you’ve got what it takes to win the superhero lottery.
BIG RED ANGRY MONSTER
125 page screenplay. Action/Comedy.
A woman’s cancer battle unfolds as a surreal journey — where hope, fear, and the unexpected walk hand in hand.
RAINBOW GOLD
110 page screenplay. Action/Comedy.
He’s the first certified LGBTQ+ superhero — didn’t want the job, but turns out being a nasty bastard is part of the package.
THE RAT DOUBLE BILL
Comedy.
Because every good story starts with a giant, human-sized rat — and these two shorts are no exception.
SWIMS
10 page screenplay. Drama.
A young daughter’s view of cancer: confusing, frightening, but sprinkled with moments of unexpected wonder.